William Yellow Robe, Jr.
鈥樷淵ou are a good actor, but we have no Indian roles,鈥欌 is what I heard as an actor in school.聽 I started writing plays and I heard; 鈥淚t is a good play but we can鈥檛 do it because we have no Indian actors,鈥濃 said William S. Yellow Robe, Jr. and his life in American theater.
William is an enrolled member of the Assiniboine Tribe of the Assiniboine and Sioux Tribes of the Fort Peck Indian reservation, located in northeastern Montana.
William is a recipient of a Robert Rauschenberg Foundation Residency for 2014. He is a Faculty Affiliate in the English/Creative Writing Department at the University of Montana in Missoula, Montana and a former Libra Professor in the English Department at the University of 海角社区, 海角社区. He is now an Adjunct Faculty member at the University of 海角社区, 海角社区. His newest publications include his short play, 鈥Making IndiXns鈥 in the collection; Best Short Plays in America, a short fiction story, 鈥淢iracle of 12-12-12鈥, appearing in the collection; 鈥Unraveling the Spreading Cloth of Time: Indigenous thoughts Concerning the University鈥, Renegade Planets Publishing, a poem, 鈥Spam Rite鈥, appearing in the anthology, 鈥I was Indian: An Anthology of Native Literature, Volume II鈥, Foot Hills Publishing, Kanona, NY. 鈥淎nd the Boss says a 1, 2, 3, 4,鈥 poem appears in 鈥淭he Muckleshoot Review,鈥 Vol. 3, Auburn, WA. His two short stories, 鈥淎 Not Long ago Time Story,鈥 and 鈥淧ilgrims for a Day,鈥 appear in the Yellow Medicine Review: A Journal of Indigenous Literature, Art, and Thought, Marshall, MN. As a playwright he has completed a full length play adaptation of the novel, 鈥淧owwow Highway鈥, by David Seals for the stage, presented by the American Indian Arts Association (AMERINDA), in a staged reading at the Lark Play Development Center in New York, New York, and is schedule for a full production this fall. The play was also presented in a stage reading at the Ensemble Studio Theater, in New York, New York. He is one of the featured playwrights in the Arena Stage鈥檚 Civil War project entitled; 鈥淥ur War鈥 and will be produced in a full stage production by the Arena Stage in Washington D.C., this fall. He has completed an adaptation of the story, 鈥淧ronghorn鈥 for stage for the Hays/Lodge Pole Schools, in Hays/Lodge Pole, Montana. He has an ongoing work entitled; 鈥Spam Rants: How to Recover Your Files; and Other Things You Value,鈥 a full length play of monologues, dialogues, and poetry. Some of his plays are found in two anthologies, “Where the Pavement Ends: New Native Drama,鈥 a collection of his one-act plays, “Grandchildren of the Buffalo Soldiers and Other Untold Stores,” his full-length plays, and recently a chapter co-authored with Dr. Margo Lukens, “Two Worlds on One Stage: Working in Collaboration to Prevent Encroachment, Appropriation, and Other Maddening Forms of Imperialism,” which in appears in the collection: “American Indian Performing Arts: Critical Directions.” The full-length play, 鈥The Independence of Eddie Rose,鈥 appears in the anthologies, 鈥Seventh Generation,鈥 and 鈥Staging Coyote鈥檚 Dream-an Anthology of First Nations鈥 Drama in English.鈥
William is now a member of the Board of Advisors for the Native American New York based theater company, The Eagle Project Company.鈥 He is a member of the Penumbra Theater Company, the Ensemble Studio Theater, AMERINDA-American Indian Artists Association, a member of the advisory board for Red Eagle Soaring Theater Company, The Missoula Writing Collaborative, and a member of the new Minneapolis Playwrights鈥 Center鈥檚 new program, Affiliate Writers鈥 Program.聽 He is a founding member of the American Indian Playwrights Guild and the National American Indian Theater and Performing Arts Alliance. He is a recipient of a Native American Achiever’s Award from the Smithsonian Institute’s National Museum of the American Indian, a New England Excellence Award in Theater, the First Book Award for Drama from the Gathering of Nations, and a Princess Grace Theatre-Fellowship.
