Michael Grillo
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Dr. Michael Grillo writes on how Italian fourteenth-century images operate as primary sources that visually articulate ideas inexpressible in any other media, including the verbal realm.
Dr. Grillo received his PhD from Cornell University with a dissertation on Medieval History of Art. He continued this work with his 1997 book, “Symbolic Structures: The Role of Composition in Signalling Meaning in Italian Late Medieval Painting.” Recent articles include 鈥溾淧erspective as Structured Memory in the Wake of the Plague鈥Illuminated Architecture: The Influence of Manuscripts on the Palatine Chapel鈥, 鈥淏roadening the Gene Pool: The Value of the Humanities Future Success鈥, and 鈥淭he David of Michelangelo and Renaissance Neo-Platonism鈥. He offers seminars on Fourteenth-Century Epistemology, Medieval and Renaissance Phenomenology, Theory and Practice in Photography, and Documentary Film History, among others. He is also a practicing photographer, and seeks to explore how aesthetic theories play out directly in application in our world, particularly how photography operates as a cultural specific visual modality.
He directs both the interdisciplinary Medieval and Renaissance Studies minor and the Film and Video minor.
Areas of Expertise
Photography
